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Am I a bad person?

6 o'clock, February 17, 2005

Am I a bad person if I give up reading a story — a published story, that is; I’m not talking about reading subs as an editor — after the first paragraph, because I can’t read the text for the subtext, because the subtext is shouting

I AM A SCIENCE FICTION STORY!

NOT ONLY THAT, I AM A “HARD” SCIENCE FICTION STORY — BY WHICH I MEAN ONLY THAT I WILL CHEERFULLY VIOLATE P.O.V. TO POUND INTO YOUR HEAD EVERY DETAIL OF EVERY GADGET, NO MATTER HOW BORING THAT GADGET IS, OR HOW DISTRACTING SAID POUNDING IS FROM WHATEVER ELSE IS SUPPOSED TO BE GOING ON, NOT THAT I ACTUALLY HAVE ANYTHING INTERESTING TO SAY ABOUT SCIENCE.

IF YOU’RE NOT READING ME WITH A COMPLETE SET OF 1940S HUGO GERNSBACK READING PROTOCOLS, THEN NUTS TO YOU, YOU WEAK-MINDED HUMANIST PINKO LIBERAL!

Am I wrong in red-lining stories that make it look like the author hasn’t read anything outside the genre since Huck Finn in high school, and that even then they didn’t pay attention? Or has the minimal set of professional fiction writers’ tools still not expanded at all beyond grammar and punctuation in the last three centuries?

Comments

Only the good die young!

—— Hannah, 10:59 PM, Thursday, February 17, 2005

I absolve thee, I absolve thee, I absolve thee.

—— Christopher, 2:24 AM, Friday, February 18, 2005

I stopped buying Analog six months ago. It's done wonders for my blood pressure.

—— JeremyT, 6:20 AM, Friday, February 18, 2005

I was wondering where this story might have appeared. I shoulda known.

—— Jon, 7:04 AM, Friday, February 18, 2005

Presuming the culprit is Analog -- I never read Analog; but now I'm beginning to wonder if I'm missing out, given "Aloha" and " The Strange Redemption of Sister Mary Anne"...

—— Benjamin Rosenbaum, 10:29 AM, Friday, February 18, 2005

Pfaugh! You are WEAK, puny mortal! Any TRUE FAN would grit his (inevitably his) teeth and plunge forward through the hail of gadgets, knowing that SENSAWUNDA is the TRUE FAN's reward, no matter how much CLUNKY WRITING might stand in his way.

Either that or you should give up Analog for Lent. It's gotta be Lent somewhere, right?

—— David D. Levine, 12:23 PM, Friday, February 18, 2005

So, are you going to tell us which story this was?

—— Ted, 2:39 PM, Friday, February 18, 2005

While I am most certainly not a fan of bad writing, do keep in mind that the combination of good writing and rigorous hard SF with a true paradigm-shifting conceptual breakthrough is but all too rare.

They almost seem mutually exclusive: I have seen competent to very good writing--present company _not_ excluded--where the scientific plausibility left something to be desired.

Really: this combination of skills is exceptionally difficult to acquire, and is therefore quite hard to find. That's why stories like "Blood Music", "Reasons to Be Cheerful", "Gene Wars", and "Wang's Carpets" are few and far between.

So while I also let out the occasional sigh when reading Analog, do ask yourself the question: "Is my scientific understanding on par with this person's writing abilities?", before starting the tirade.

After all, writing might be easier to learn than science...

—— Jetse, 12:51 PM, Saturday, February 19, 2005

yes, you are a bad person. But only because you didn't tell us what the story was.

—— chance, 4:19 PM, Tuesday, February 22, 2005

You mean you're not keen to guess?

Jetse, I take your point, but that doesn't make it okay. I'd probably be satisfied (okay, significantly less dissatisfied, anyway) if the bar for hard SF was set at "competent by-the-numbers fiction" rather than just "correct in grammar and spelling".

And yes, my scientific understanding is in many areas at least on par with this person's writing ability. :) (At least, as demonstrated by the opening paragraphs of this story.)

I don't in fact know if this story had anything paradigm-shifting to say, because I didn't get that far. But the same criticism could easily be applied to many stories that adopt "hard SF" as a style without doing anything particularly novel — or even rigorous — on a conceptual level.

As for this particular story, all I’m going to say (in public, anyhow) is that it’s one that was nominated for a major award. It doesn’t even really matter what story it was, since it’s far from an isolated example.

—— David Moles, 8:31 AM, Wednesday, February 23, 2005

Oh, and I do think it’s amusing that everyone keeps mentioning Analog.

—— David Moles, 4:03 PM, Wednesday, February 23, 2005