Cool.

Seems like it takes a lot of care and effort to make one of these, but it's all worth it since you managed to entertain me for a few scant minutes :)

I assume Mirai-no-koto: Ani Gannen is made with the same thoughtful, vaguely fatalistic stationary camera we know and love in the irrational history we're all currently experiencing (the 616 irrational universe?). Or do the demands of the shisôseiatsu genre require a more dynamic approach?

Excellent. Your take on giant monsters is as serious and awesome as mine (in my upcoming Interzone story) is silly and ridiculous.

This sentence:

Two years later, anti-monster director Terry Gilliam releases the revolutionary Watchmen