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In My Ear (Updated)

6 o'clock, November 17, 2004

The portable library:

  1. “Big Tears”, Elvis Costello
  2. “The Passion”, Billy Bragg
  3. “Birthday”, The SugarCubes
  4. “Who’s Afraid (of the Art of Noise)”, The Art of Noise
  5. “The Ways of Men”, The Waterboys
  6. “Some Day Soon”, Ian & Sylvia
  7. “Alkusanat”, Hedningarna
  8. “Believe”, R.E.M.
  9. “When Love Comes to Town”, U2
  10. “AKA Driver”, They Might Be Giants

The luggable library:

  1. “Spy”, They Might Be Giants
  2. “It Could Be Sweet”, Portishead
  3. “Just Like Betty Page”, The Jazz Butcher
  4. “Wild Bill Jones”, Alison Krauss
  5. “Heartattack & Vine”, Tom Waits
  6. “Peek-A-Boo”, Devo
  7. “Love or Confusion”, Jimi Hendrix
  8. “Nothing Without You”, Nusrat Fateh Ali Khan
  9. “Hidden Combat”, Alison Statton
  10. “Crucify (EP mix)”, Tori Amos

Yes, unlike some folks’, my music taste apparently stopped moving forward in 1994. It’s that late-90s retro thing — Oasis ripping off the Beatles, Lenny Kravitz ripping off Jimi Hendrix, Green Day and the Offspring ripping off the Clash and the Ramones, the Squirrel Nut Zippers and Cherry Poppin’ Daddies ripping off Bix Beiderbecke and Lew Stone. Unreconstructed historical phenomenalist that I am, I figured I’d skip the middleman.


Update: Oh, yeah, and two incredibly disappointing albums: Monster and Dulcinea. (Not to mention Boys for Pele, which wasn’t actually unforgivable but was still, kind of, you know, pointless.)

Comments

Boys For Pele is no Under the Pink, but I still like it a lot... particularly "Caught a Light Sneeze" and perhaps "Not the Red Baron". And my daughter Aviva will insist on hearing "Mr. Zebra" dozens of times in a row.

—— Benjamin Rosenbaum, 10:51 AM, Thursday, November 18, 2004

I agree with you about Monster, but I actually *liked* Dulcinea. :)

In my ear this week:

  • Hallelujah, Jeff Buckley;
  • Run, Snow Patrol;
  • Nothingman, Pearl Jam;
  • Don't Dream Its Over, Neil Finn;
  • Disarm, Smashing Pumpkins;
  • Running to Stand Still, U2;
  • Pure, The Lightning Seeds;
  • Somebody Told Me, The Killers;
  • 1916, Motorhead;
  • Right Here Waiting, Richard Marx.

I imagine you'd consider the first one to be an unreasonable ripoff. :)

—— aphrael, 12:06 PM, Thursday, November 18, 2004

Hmm. Never mind; those are what i'm actually choosing to listen to. I didn't understand the game. :)

—— aphrael, 12:23 PM, Thursday, November 18, 2004

My tastes froze a couple of years after yours, and I do download a lot of newer stuff, but none of it gives me the warm fuzzies that the older stuff does. I don't know how much of it is youth nostalgia and how much of it is that the music was "better" then.

—— JeremyT, 12:37 PM, Thursday, November 18, 2004

I love how you imply that there's much on that list you linked to that's post-1994. Unless I'm mis-remembering something, the song off of 69 Love Songs is the most recent on that list by quite a margin, and that's not all that recent. I do pay some attention to what's going on today in music, and I've even started buying new albums again, but musically I seem to have imprinted in late high school.

—— Susan, 10:19 AM, Friday, November 19, 2004

Maybe, but you’re hip enough to be able to actually have an opinion about Ben Folds’ career, whereas to me Ben Folds Five are just another one of those late 90s groups with numbers in their names that I could never keep straight, like 311 and Blink-182. :)

—— David Moles, 10:31 AM, Friday, November 19, 2004

Wow, David, two from John Henry :)

There was some good music in the '90s, but I've always been a '60s guy myself. The true '90s triumph for me is in its television: the decade started with Twin Peaks and The Simpsons, and soon there was Seinfeld, Northern Exposure, Deep Space Nine, and the good years of The X-Files and Ally McBeal.

—— Robert Burke Richardson, 2:12 AM, Sunday, November 21, 2004