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“I’m not an actor, I’m a movie star!”

1 o'clock, December 15, 2003

This Michael Caine interview on Salon captures better than anything I’ve ever read or heard the difference between an actor and a movie star.

It’s a movie-star thing. Some people think they’re movie stars and some people think they’re movie actors. I think I’m a movie actor. The difference between a movie star and a movie actor is a movie star gets a script — movie star Michael Caine gets a script and he says, “Now how can I change this script. It’s not quite Michael Caine. I've got to change it.” And they say things like, “Michael Caine wouldn’t wear that kind of thing. Michael Caine wouldn’t say that to a girl. Michael Caine wouldn’t drive that sort of car. So we’ll have to edit the script.” And everyone says, “Oh, of course, Michael, we’ll change all that.” They change the script to suit them. A movie actor, he changes himself to suit the script. He wears glasses, puts on a fat belly, gains weight, loses weight, grows a beard, moustache, any bloody thing.

I think something very similar happens with authors and novels; we just don’t have a word for it.

Comments

We can't just call them lousy writers?

—— Jon, 2:33 PM, Monday, December 15, 2003

We can, but only by constructing a very narrow definition of the word “writer”. I’m not just thinking of the folks in the supermarket bestseller rack with their names in big gold capitals here; there are plenty of good writers out there making careers writing more or less the same book, with more or less the same characters, again and again. If it’s a good book, and if they’re interesting characters, this isn’t necessarily a bad thing. Sometimes familiarity is what the readers want.

—— David Moles, 2:49 PM, Monday, December 15, 2003

re: familiarity

And it is often if not always what publishers want.

—— Gwenda B., 6:21 PM, Monday, December 15, 2003

Still, those writers had to "put on" the characters at some point in order to produce a good (or at least passable) novel, even if they are reproducing the same work in different packaging over and over again.

I'm more distraught by actors cum writers who enter the realm of trash fiction, produce trash novels, and garner six or seven figure advances time and again. Don't get me wrong, I don't dislike them because they are famous; that's a perfectly fine springboard for writing. It's just that they are generally trite or at best sophomoric and yet the public gobbles up their work like five dollar beanie babies on ebay.

-- david j.

—— david j., 8:07 PM, Monday, December 15, 2003

Where I work (a nonfiction publisher) there is a distinction between writers and authors. The writer writes the book, sometimes under a work-for-hire arrangement, and may not be listed on the book's cover. The author is definitely listed on the cover, as that author's reputation is supposed to sell the book. The author may have written his book, but not necessarily.

I suspect that happens in fiction publishing as well, particularly when it comes to celebrity authors.

—— HeyTrey, 6:50 AM, Tuesday, December 16, 2003

Well of course Michael Caine can't change scripts; he's in EVERY MOVIE!

Who'd have the time?

—— Nick Mamatas, 7:14 AM, Tuesday, December 16, 2003

There is a name for this:
prima donna

Narcisist is another word that may fit as well.

—— Frank, 1:33 PM, Tuesday, December 16, 2003

I don’t think it’s that simple. If audiences have a certain expectation when they go to see a Harrison Ford movie, Harrison Ford doesn’t have to be a narcissist or a prima donna to give them what they want, he just has to be in it for the money. And what the hell, you know? Some people will always want to see that sort of movie, and for those of us who don’t (at least not all the time) there are plenty of actors out there who put a higher priority on doing interesting work than they do on milking the franchise. It doesn’t have to be a value judgment.

—— David Moles, 10:10 AM, Thursday, December 18, 2003