© 2003-2006 David Moles

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Successful apocalypses

3 o'clock, August 1, 2003

This is more or less a reprint of an email I just sent to Rob (aka “aphrael”), in response to the question “Do you know why nobody’s ever done a post-apocalyptic story predicated on the eruption of the Yellowstone supervolcano?” I didn’t have a real answer to that, but it got me thinking.

It seems to me that a post-apocalyptic story is likely to be successful only if it taps into an existing meme or, preferably, an existing fear. During the Cold War everybody, but everybody, was afraid of nuclear war, so it was easy to get a lot of mileage out of that. The destruction of the environment is a perennial favorite these days. Comets and asteroids are part of the collective consciousness, now that they’ve become the standard model for mass extinctions. Plague of any kind is always a crowd-pleaser, as are space aliens, and Jesus. So all of those can pretty easily be made to work.

But very few people in the US really think much about volcanoes, even those of us who live well within the potential superheated toxic gas footprint of one; so volcano fear just doesn’t resonate. A smart editor will realize that and not buy the story, unless it’s got something else going for it.

On a side note, I just realized that structurally, at least, “28 Days Later” is in many ways the movie they should have made out of Brin’s The Postman.

Comments

I guess the peak moment (if you'll excuse the pun) for a good volcano apocalypse story in the U.S. would've been May-July 1980. Or possibly early 1997. But I bet bad movies aren't as effective.

—— Jon Hansen, 8:31 PM, Friday, August 1, 2003

Interesting. A couple thoughts:

Are the general public more afraid of comets/asteroids/meteors hitting the Earth, or of volcanoes? Maybe it depends on where they live -- you can count on the meteor causing worldwide devastation (at least if it's a movie), while the volcano is more localized. (But you noted that even people who live near one may not care, so maybe not.) But even if those two volcano movies Jon pointed two were pretty much flops, the fact that they got made suggested that someone thought the idea would appeal to audiences.

Have there been any Big Quake movies? Maybe in California people are in too much denial to want to see one, and elsewhere in the US it's too unlikely?

I thought Mary Rosenblum's "drylands" stories were really good (and her followup novel fairly good), and she once told me that her research suggested that the drying up of the Pacific Northwest was very plausible. Those stories got a certain amount of attention, but more (I think) for the characters and situations than for playing on people's Post-Disaster fears. So I think you can write a good story about such a situation, it's just not necessarily going to turn into a blockbuster unless it already matches the zeitgeist. (Well, and not necessarily even then, of course.)

—— Jed, 10:47 AM, Saturday, August 2, 2003