© 2003-2006 David Moles
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Ideological Denial1 o'clock, January 29, 2003I've got a post I've been wrestling with, on the question of what point I see in this whole speculative fiction business. (And on Jon Hansen's question, too.) Maybe I'll get to it in a couple of days — though I really should be writing instead. In the mean time, though, I'd just like to call out this insight from China Miéville: Even the most escapist fantasy, like Tolkien - It may be escapist, but it can't escape. Fiction that thinks it's escapist is among the most intensely ideological there is, because it denies that it's actually about reality, in a mediated way. (From an interview with Infinity Plus, courtesy of Greg, courtesy of Toby Buckell.) I could add that there's another sort of intensely ideological fiction, escapist fantasy's shadow brother: fiction that denies it's trying to escape; fiction that claims to be about reality and denies that it's mediating that reality. I'm trying not to write either kind, and I think Mr. Miéville is, too — though that's not to say either of us is trying not to be ideological. |
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I once had a conversation with Tim Powers about how he refuses to write "conflicted organ" stories (The Human Heart In Conflict With Itself). However, I've found some incredibly powerful metaphors in his work. One of my favorites is from The Stress of Her Regard (spoilers follow):
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And, too, the imagination is not something separate from that which we experience. An experience of the imagination is simply a different kind of experience. One no more escapes the world of actuality through imagination than one escapes imagination through the world of actuality. Okay, that's a bit marshmellow-headed, but you see where I'm going with that? |
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There is far more data in this universe of ours than our sad little minds could ever hope to comprehend, so we have to provide somewhat arbitrary explanations based upon what each of us considers salient. I think that what Greg calls "imagination" within the context of experience is what I call my personal narrative: who I am, what I do, why I do what I do, how I feel about and react towards what other people do -- these are all dependent on my interpretation of myself and of external situations. I see my life as a story, and that helps me find meaning and continuity, which comforts me. After all, the unexamined life isn't worth living and all that, right? |
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I think that what Greg was saying about experience is that a good book is something that is experienced, not just read. I've had books that have profoundly affected my life (heck, I've had Buffy episodes that have profoundly affected my life.) How is that different from meeting a person who affected my life? My dad's a clinical psychologist who specializes in Ericksonian hypnotherapy, which is basically storytelling. One of their mantras is Emily Dickenson's quote that PNH has on his weblog (Tell all the Truth but tell it slant....) There are things -- basic Truths, if you will -- that can be better told via analogy and "fantasy" than by saying "This is the way it is." In an interesting side-bar, a friend of ours told me that she was feeling guilty about not reading as much as she felt she should. I pointed out that the purpose of reading was to stimulate and enrich our lives, and since she was currently working with wild animals (lions and tigers and bears, oh my!) at a shelter, learning how to make stained glass, volunteering at the city aquarium, and helping friends through difficult times, it was okay to just live her life. |
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Not that I have an opinion on the matter. ; ) |
I'll be interested to hear your musings, David.
Part of the appeal of SF in particular, for me, is its experimental, exploratory nature.